We have different covers available, send us a message if you want a specific one and we’ll make sure to send it to you if we have it — Nous avons différentes couvertures disponibles, envoyez-nous un message si vous en désirez une en particulier et nous vous l’enverrons si nous l’avons —
Crash magazine #100
- 40x28cm
- English
- 2023
Crash 100: Time Capsule
“Thirty-one years ago, in 1992, Blocnotes was born out of a need to create an art magazine that showcased the art that was hitting us in the guts: art that was committed, essen- tial, conceptual, sometimes even brutal, but always radical. In 1998, we decided to create Crash because, feeling like the art world was too narrow, we had been begin- ning to explore electronic music. The parties we organized were an attempt to break down boundaries and take the art world out of its ghetto. We felt like free electrons, championing non-careerist art- ists and personalities with no agenda other than to create a breach in reality.
With the benefit of hindsight and having reached the fateful figure of Crash n°100, we’re tempted to look in the rear- view mirror and take stock. But as Karl Lagerfeld used to tell us, we mustn’t look back, we must live in the present and “do”, without asking questions... Crash, like a time capsule, fixes itself in the present, whilst always trying to reinvent with each issue, just as Rei Kawakubo wipes the slate clean and starts from scratch with each collection. Perhaps that’s just what it means to be contemporary… “ - Armelle Leturcq, Crash Magazine Editor in Chief.
Discover exclusive interviews with with Julien d’Ys, Andrea Viliani, Mauro grimaldi & Lutz Huelle, Vicky Krieps, Mia Khalifa by Linder and Deborah Roberts.
And mesmerizing fashion stories with legendary Magnum photographers Bruce Gilde, Alex Webb, Olivia Arthur and other amazing photographer Gorka Postigo, Marco Cella, Arash Khaksari and others, immortalizing the worlds of Gucci, AZ Factory, Acne Studios, Dior and Chanel…
“Thirty-one years ago, in 1992, Blocnotes was born out of a need to create an art magazine that showcased the art that was hitting us in the guts: art that was committed, essen- tial, conceptual, sometimes even brutal, but always radical. In 1998, we decided to create Crash because, feeling like the art world was too narrow, we had been begin- ning to explore electronic music. The parties we organized were an attempt to break down boundaries and take the art world out of its ghetto. We felt like free electrons, championing non-careerist art- ists and personalities with no agenda other than to create a breach in reality.
With the benefit of hindsight and having reached the fateful figure of Crash n°100, we’re tempted to look in the rear- view mirror and take stock. But as Karl Lagerfeld used to tell us, we mustn’t look back, we must live in the present and “do”, without asking questions... Crash, like a time capsule, fixes itself in the present, whilst always trying to reinvent with each issue, just as Rei Kawakubo wipes the slate clean and starts from scratch with each collection. Perhaps that’s just what it means to be contemporary… “ - Armelle Leturcq, Crash Magazine Editor in Chief.
Discover exclusive interviews with with Julien d’Ys, Andrea Viliani, Mauro grimaldi & Lutz Huelle, Vicky Krieps, Mia Khalifa by Linder and Deborah Roberts.
And mesmerizing fashion stories with legendary Magnum photographers Bruce Gilde, Alex Webb, Olivia Arthur and other amazing photographer Gorka Postigo, Marco Cella, Arash Khaksari and others, immortalizing the worlds of Gucci, AZ Factory, Acne Studios, Dior and Chanel…
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