In BTS, Takashi Homma turns his lens toward the unnoticed rituals of protection and concealment that shape everyday life. Shot primarily in Tokyo—with detours to Colombia, Hawaii, and beyond—the book gathers images of covered cars, wrapped trees, shuttered windows, snow-draped landscapes, and figures layered in clothing until their faces disappear.

What emerges is a quiet study of surfaces, shields, and the spaces between what is shown and what is hidden. BTS reveals a world perpetually preparing, preserving, or holding something back—an unseen choreography unfolding just behind the scenes.